Tattoo, the latest work by Seattle-based dance maker Pat Graney, presents a series of vignettes that reflect on memory and women’s roles in cultures both primitive and contemporary. However, according to the choreographer, it’s best not to try and make sense of it all. Instead she suggests approaching the piece "as if you’re going into a gallery of images and just surrender to that experience. If you’re trying to figure out what each section means, I think you’ll get frustrated."